Dubravka tomsic biography of nancy

Sinding: Pieces, Op. Clair de lune.

Biography of Dubravka Tomšič

But it is her touch that sets her apart, the ability to wield a range of tone colors that one associates with the reportedly bygone Golden Era of pianism. Arthur Rubinstein heard her New York Town Hall recital and invited her to study with him privately in the late s. Authority control databases. This dazzling technique is never an end but a means of achieving emotional directness and poetic insinuation.

The two simply took off in a blaze of confidence in the Schumann concerto, Kotsinsh leading the orchestra at full throttle with Tomsic at brilliant ease, matching the pace and intensity with breathtaking authority. Her teachers were Katherine Bacon and Alexander Uninsky. Retrieved She sees music in wholes, not parts. Commercial recordings Ravel: Miroirs — 4.

There was none of the tension that sometimes exists between conductors and soloists as they try to discover a balance together. Rachmaninoff: Preludes, Op. Outfitted in a gorgeous red and gold caftan, she dived into the romantic masterwork with the elegant mastery that has made her a beloved returning artist. Scarlatti: Sonatas — K.

The beautifully shaped melodies in the first and second movements were totally beguiling, and her fleet performance of the Vivace finale was astonishing for its superlative mastery.

Dubravka tomsic biography of nancy: The celebrated Slovenian pianist

Chopin: Nocturnes, Op. The cumulative effect was extraordinary. She treated the audience to an elegant performance that was as full of subtle color and shading as it was of effortless virtuosity. From this Liszt recital, one can understand what all the shouting is about, for Tomsic is clearly a greatly gifted pianist with an awe-inspiring technique.

She is an honorary member of the Slovene Philharmonics since There is a wondrous delicacy to her avian righthand trills, and graceful poise in her phrasing, with a shimmering coda. Read Edit View history. Rachmaninoff: Morceaux de Fantaisie, Op. Brahms: Waltzes, Op. She is the antithesis of Martha Argerich, who seems always to be searching for something unrealizable and leaves you in a state of nervous exhaustion.

She can be heard on Vox Classics, Koch International and other labels. She could shift from explosive chords to fairy-dust runs in a second without even blinking.